- The first death, Maman's, illustrates how Meursault reacts to death: very impersonally, as though he were merely an acquaintance of Maman.
- Lack of info p. 1
- "Not my fault" instinct p. 1
- Does not express emotion towards death of mother
- Meursault's reaction in this case illustrates how society in general reacts to death.
- Continuing of life shows symbolism - ch. 2 in general compares Meursault to society through juxtaposition of interactions w/ Marie and observation of other lives
- Specifically: "really, nothing had changed" (24).
- Absurdist philosophy: World continues on, even after death that jars one world
- Salamano's dog, although a disappearance rather than an absolute death, serves a very similar purpose to Maman in that Meursault acts pragmatically, stating facts rather than helping Salamano; even after Salamano finds out that his dog is most likely dead, Meursault still only offers condolences.
- Meursault's response to Salamano's distress, showing up at his doorstep: "I told him that the pound ... as they saw fit" (39).
- No compassion in response, merely informing of facts as losing of dog is routine, insignificant occurrance, even though Salamano is shocked by it
- Offers condolences when "I told him [...] that I was sorry about what had happened to his dog" but still "yawned," indicating boredom, immediately before (45)
- In the murder of the Arab, Meursault is an agent of the world, illustrating how random the world is in the people whom it harms and helps.
- Happened to choose to return to beach (57)
- No agency in crime - "the trigger gave" (59) and whole passage
- Illustrates pointlessness of world in action
- Meursault's preponderance of his own death and his own conclusions illustrates the ultimate point of absurdism - the philosophical if not the narrative climax of the book.
- Paragraph from last blog for points
Monday, January 7, 2013
The Stranger: Paper Outline
Thesis: Every death in The Stranger serves to demonstrate the same ultimate absurd point: that even death is meaningless and unimportant in the grand scheme of the world.
Labels:
Outline,
The Stranger
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